Laurie Autio will be presenting “Learning from Japanese Textiles: A Weaver’s Journey” this evening. I had a wonderful chat with Laurie yesterday. In addition to her slideshow, she will be bringing quite a few pieces for us to look at and touch. She does ask that we keep all food, beverages, pens and pencils away from the pieces, please! There will also be a $2 materials fee for her handout. I hope to see most of you this evening!
Meeting Reminder, 26May, 7pm
American Textile History Museum in Lowell – Wonder of Wool
Wonder of Wool: Ancient Fiber to Modern Marvel
May 20 – December 31, 2015
The American Textile History Museum in Lowell, Massachusetts is proud to present Wonder of Wool: Ancient Fiber to Modern Marvel, on view May 20 through December 21, 2015.
Wonder of Wool Mythbusters! How many do you know?
Wool is one of the most commonly used fibers in the world and easily the most misunderstood. Wonder of Wool: Ancient Fiber to Modern Marvel takes a fascinating look at the significance of sheep and wool in our culture and our everyday lives, shattering myths and giving visitors a new understanding and appreciation of this fabulous fiber.
Cool, breathable – and misunderstood
Wonder of Wool explores the unique characteristics of the fabric that have made it so useful both historically and today, with a broad range of uses. The exhibit shatters many of the misconceptions of wool: that it is itchy, only for cold weather, hard to wash, can’t get wet, and has a bad odor.
Visitors to Wonder of Wool can experience the diversity of the wool fibers, from the rough and scratchy 19th century carpet wool to today’s supple and silky wool fabrics used in Joseph Abboud men’s suits. The exhibit also features woolen clothing through the centuries, from an 1800s cape to a 1924 men’s suit with knickers to a modern lightweight sundress. Visitors will see what wool fiber looks like at a microscopic level and how that translates to wearability and performance. The same wool that traps air in sweaters to keep you warm can breathe in fabric for men’s suits worn in warm weather.
The exhibit explores the history of wool, with images and lithographs from the first recorded use by the Greeks and Romans to modern day. Bedouin desert nomads wore wool because it was cool. Until the 20th century, with the advent of cooler and easy-care synthetic fibers, wool was a popular year-round fabric. The competition with the synthetic fabrics forced wool manufacturers to focus on creating more attractive and wearable fabrics, developing processes to smooth out the wool fibers, making them softer, finer and gentler to the touch – and also easier to clean.
What you (don’t) smell is what you get
As a natural antimicrobial, wool wicks and dries more efficiently than many other fibers. As a result, wool is much more resistant to retaining odors than synthetic fabrics like polyester and polypropylene.
Visitors can put wool’s antimicrobial qualities to the test with the chance to smell – or actually not smell – a men’s wool shirt worn 100 days in a row without washing. Mac Bishop, a sixth-generation member of the family that owns Pendleton Woolen Mills, raised more than $300,000 on Kickstarter by wearing a stylish button-down Pendleton Mills shirt for 100 days straight and encouraging friends and strangers to smell it. Shockingly, the shirt smells as if it were freshly laundered!
The exhibit examines the tools of the trade and the dramatic changes in processing wool. Hand cards and a sample-sized carding machine show how the work of processing wool has changed and how these activities that used to take days and weeks to accomplish can now be done in a matter of hours or minutes. Wonder of Wool features tools spanning hundreds of years, from 19th-century hand sheep shears to modern electric shears. The giant shears used to trim the surface of woolen broadcloth show the skill required of workmen who wielded these heavy implements 200 years ago, compared to the lawn mower-like machines used later.
It all comes down to a sheep
“With all the technological advances in wool manufacturing, it all still comes down to a sheep,” said Diane Fagan Affleck, ATHM consulting curator for Wonder of Wool. For thousands of years, sheep have been a primary source for wool to make clothes and furnish homes. Wonder of Wool explores the long history of wool, which began before recorded history when primitive man first clothed himself in the woolly skins of the wild sheep he killed for food.
There is evidence of wool being spun in Northern Europe as far back as 10,000 BC. Wool was the foundation of England’s economy in the 18th century; in fact, at one time it was actually illegal to wear printed cotton! As calicos threatened the wool manufacturing in 1721, wool guilds and manufacturers convinced Parliament to pass the Calico Act, banning cotton for clothing or domestic purposes.
Today, sheep are bred to achieve distinct characteristics in their wool fibers: longer, shorter, coarser, and finer. “What they eat, where they live, the weather in which they live all influence the type of wool fiber from the sheep,” according to Ms. Affleck.
Wool is one of the four most common natural fibers and, therefore, sheep have been of great interest to farmers, breeders, spinners, dyers, weavers, manufacturers, economists, politicians, and even artists. Images in the ATHM collection record the varieties of sheep developed by selective breeding, while others reveal the animals in their habitat or revel in the scenes they create.
An ancient fiber and a modern marvel, wool remains an important fiber with a new emphasis on making it easier to care for and more comfortable to wear.
Celebrate the Wonder of Wool at the American Textile History Museum.
– See more at: http://www.athm.org/museum_exhibition/wonder-of-wool-ancient-fiber-to-modern-marvel/#sthash.yc108rLr.dpuf
Demo opportunity
Evergreen Garden Play School at Ft. Devens is looking for a spinner and/or weaver to demonstrate at their open house on May 16th from 9-12:30. If anyone is interested, please contact Sara Arnold @ 978-855-6708.
News from the Fiber Loft
Meeting reminder 28 April
7pm at The Fiber Loft, Diane Fagan Affleck presents “Comfort and Style”!
Library update: new titles
New and new-ish titles in the Guild library. Contact the Guild librarian to reserve any of these.
DVD: The Efficient Weaver by Laura Fry |
Book donated by Joan Paul:
Title | Author |
The weaving, spinning, and dyeing book (second edition) | Rachel Brown |
Books donated by Judith Shangold:
Title | Author |
Adventures in yarn farming: four seasons on a New England fiber farm | Barbara Parry with photos by Ben Barnhart |
Weave * knit * wear: simply fabulous clothing for rigid-heddle (and other) weavers | Judith Shangold |
Books donated by Pat MacAlpine:
Weaves and pattern drafting, | John Tovey |
The rosepath motif: an approach to weaving design, | Margaret B. Windeknecht |
Ikat: an introduction; Japanese ikat: warp,weft,figure | Diane Ritch and Yoshiko Wada |
Quilts to wear | Virginia Avery |
The handweaver’s pattern book: over 120 designs for upholstery, curtains, place mats, etc. | Iona Plath |
Handspinning: art and technique | Allen Fannin |
Handloom weaving technology | Allen Fannin |
Spin span spun: fact and folklore for spinners and weavers | Bette Hochberg |
Dyeing the natural way | Frances E. Mustard |
Dyeplants and dyeing: a handbook | |
A twill of your choice | Paul R. O’Connor |
Brocade | Harriet Tidball |
Ancient dyes for modern weavers | Palmy Weigle |
Step by step spinning and dyeing | Eunice Svinicki |
The double weave, plain and patterned | Harriet Tidball |
Hands on dyeing | Betsy Blumenthal and Kathryn Kreider |
Weave structures used in North American coverlets | +ACI-Clarita Anderson, Judith Gordon, and Naomi Whiting Towner |
Knitting on the loom: techniques for producing knit stitches within the woven structure | Birgit Olson Barron |
Magazines donated by Dorothy Solbrig:
Piecework
1994: January/February, March/April, May/June, September/October and November/December
1995: January/February
Newsletters donated by Penny Lacroix:
The Spinning Wheel Sleuth, issues 86 and 87 (October 2014 and January 2015)
Newsletters purchased by the Guild:
The Spinning Wheel Sleuth Loom Supplement, issues 6, 7 and 9-16, inclusive; Index to Issues 1 – 15
Miscellaneous:
Art to Wear Workshop with Sarah Fortin
Compiled by Linda Snook. A record of our March, 2014 garment construction workshop with Sarah Fortin, including about 20 pages of background information from Sarah, as well as swatches and project notes from 12 participants.
Pat’s books could become your books
Longtime Guild member Pat McAlpine has donated a large number of books to our library. A few titles we already owned, and Pat requested that any duplicates be passed on to Guild members. The books in the list below will be distributed at the June potluck, possibly by silent auction or random drawing. Details to be determined; we’ll do our best to include everyone who can’t attend the potluck, too.
Many thanks to Pat for this generous donation.
Title | Author |
The complete illustrated book of dyes from natural sources | Arnold and Connie Krochmal |
Double weave: theory & practice | Laya Brostoff |
Early American weaving and dyeing | J. and R. Bronson |
Natural dyes and home dyeing | Rita J. Adrosko |
Step-by-step spinning and dyeing | Eunice Svinicki |
The techniques of rug weaving | Peter Collingwood |
Textile art from southern Appalachia: the quiet work of women | Kathleen Curtis Wilson |
Weaving: a creative approach for beginners | Clara Creager |
Workshop notes for winding multi-colored warps with a warping paddle | Leslie Voiers |
Tapestry exhibits
There are two exhibits of Tapestry Weaving in Deerfield MA right now.
I was out that way today and stopped in at the DeerfieldArtsBank exhibit and talked to a few of the weavers. They said the one at Deerfield Acadamy is well worth seeing. Links for both exhibits are below.
I am definitely going to head out there and wondered if anyone was interested in going out there with me?
I live west of the FiberLoft, so we would meet in the Fitchburg area and head out from there. It’s about one hour from Fitchburg to Deerfield. There is a large shopping center right off rte 2 in Fitchburg that allows commuter parking –
If we go next week on Thursday or Friday, we could see both exhibits. If we did not go until a day during the two weeks following that, we would only see the one at Deerfield Acadamy. The “Weaving up & Down” is the one I saw today and the one that ends April 12. Beautiful pieces by local weavers – 2 or 3 pieces from each of the 13 weavers.
If your interested, let me know when would be good. We could even manage to get in a visit to a local fiber shop and Webs if you wanted. They are all within a few minutes of each other out there.
Leslie
“Weaving Up & Down:
13 Tapestry Weavers”
March 12 – April 12, 2015
Wed Thur Fri and Sunday. Not open Mon,Tues, or Sat.
http://deerfieldartsbank.com/
AND
“The Art is the Cloth: A Series of Reflections” until April 30, 2015
Mon thru Fri 8:30 am – 4 pm not open weekends.
http://deerfield.edu/departments/administrative-departments/von-auersperg-art-gallery/
BBC Mastercraft-Weaving series
“Three hopefuls who want to learn how to weave are put through their paces by the country’s leading practitioners. The trainees are immersed in the world of weaving, attempting to sell their woven wares to the general public. Their final test is to both design and weave three-metre lengths of fabric — to be judged by Michelle Bowen from the Arts Council and Angela Swan from the Worshipful Company of Weavers.”